THE NEW YORK REVIEW OF BOOKS

MARCH 23. 2026

Bottling the World Economy

Amid the destruction of the US–Israeli war against Iran, much of the world’s attention has fixed on the Strait of Hormuz, the narrow passage through which

MARCH 22. 2026

The Gaza Doctrine

On Friday, March 13, nearly two weeks into the Lebanese front of “Operation Roaring Lion, ” Israeli forces bombed Burj Qalaouiyah, a village in the

MARCH 21. 2026

Spirit in the Sky

What do Italian astronomers, cloistered nuns, levitating saints, and the “sexy dreams” of desert church fathers have in common? In the pages of the

MARCH 20. 2026

Elegy for Rafah

Since the beginning of the year, my phone has been a window through which I watch the Rafah crossing from my bedroom in Paris three thousand kilometers

MARCH 19. 2026

The Tennissance

Two young tennis stars have revived the sport by embodying the sort of athletic-aesthetic duality that made Nadal and Federer so fascinating.

Shenzhen Express

In Shenzhen, the successes and failures of China’s remarkable new economy are on full display.

Crowds and Lovers

In his novel G. , John Berger shifts between the revolutionary possibilities of mass demonstrations and of erotic encounters, ultimately writing a historical novel about the present.

Deciphering Dame Muriel

In Electric Spark, Frances Wilson attempts to crack the ingenious codes that were of prime importance in Muriel Spark’s life and writing.

Rivals of the Landscape

The more we learn about J. M. W. Turner and John Constable, the more extraordinary it seems that two such breathtakingly original painters could emerge and flourish at the same time in the British art world.

Interminable Ignorance

Why has the will to ignorance become so virulent in our time?

A Man-Made Disaster

There has never been a moral and historical reckoning with the horrors inflicted by the Allied firebombing of Japan during World War II.

Mother Daughter Sister Wife

A new anthology of female Hungarian poets engages with the nation’s often tragic history through various forms of reticence, misdirection, and playfulness.

The Marbles & the Muses

A. E. Stallings’s reflections on the Elgin Marbles illustrate how beautiful objects have the power to inspire both the noblest effusions and the pettiest efforts at acquisition.

‘Not Insane! ’

The Firesign Theatre, a comedy group formed in the 1960s, created surreal albums that mixed satire and science fiction, and inspired a generation of misfits.