LONDON REVIEW OF BOOKS

MAY 8. 2026

John Lanchester: Squillions

If it were an industry, money laundering would be the third biggest business in the world, behind commercial property. ..

APRIL 24. 2026

William Davies: Easy to Join, Easy to Leave

This is what distinguishes hyperpolitics from the mass democracy of the mid-20th century. Symbolic political gestures. ..

Susannah Clapp: Little Mags

For a time the London Review of Books might have been considered a little magazine: uncertain of its future but clear it. ..

Andrew O’Hagan: Miasma of Glitz

Patrick Radden Keefe’s London Falling is a book about a city but it’s also a book about families and shows that even. ..

Daljit Nagra: Yiewsley

close your eyes and feel the smog clearas you descend shrinking into your boyhood shortsand slow as cruising wings to your townwhere a kola kube in a scoop for a paper bagat the sweet shop is on. ..

Jamie Martin: Plan A

Maritime trade has always had to negotiate geographic bottlenecks: the Suez Canal, for example, or the Malacca Strait or. ..

Jan-Werner Müller: Short Cuts

Can there be poetic justice in politics? Perhaps once in a lifetime. In 1989, a young Viktor Orbán bravely told the. ..

Laleh Khalili: Dr Freezelove

From the 16th century onwards, as European powers feverishly colonised the world, the possibility of a Northern Sea. ..

Tim Parks: Underworld Troll

Despite Henrik Pontoppidan winning the Nobel Prize in 1917, there was no English-language version of this extraordinary. ..

Oliver Cussen: No One Can Live on Iron

The rise of democracy coincided with the transition from wood to coal, and decolonisation in the 20th century. ..

Rosemary Hill: At Pallant House

Printmaker, portraitist, landscape artist, theatre designer and illustrator, William Nicholson slips through the fingers. ..

Lorraine Daston: Everywhere and Nowhere

What’s the use of reconstructing past climates if climate change has ‘ruptured’ the connection between past, ...

Colin Kidd: Claremonsters

Harvey C. Mansfield contends that modernity was not a slowly unwinding process, but emerged at a stroke in Machiavelli. ..

T. J. Clark: V is for Vagina

De Kooning’s Suburb in Havana is a counter-revolutionary painting. Well, of course. It is counter-revolutionary. ..